The Institute

The Discipline of Beauty. The Practice of Joy.

A conservatory, performing arts center, and publishing house in Middle Tennessee forming Christian artists for the glory of God and the renewal of culture.

What we do

One work. Three expressions.

Teaching, performing, and creating — three institutional bodies carrying forward a single vision for Christian artistry and the long life of culture.

On Stage

Coming to the stage.

Concerts, festivals, and stage productions from the Institute, the Packard Playhouse, and the Annie Moses Band.

Godspell

August 22 – August 30, 2026

The Packard Playhouse

Stephen Schwartz's beloved musical based on the Gospel according to Matthew — strangers becoming a community and finding the light of Christ.

The Conservatory

Study with us.

A complete musical formation — from a child's first lessons to a professional portfolio — taught by working artists in the Annie Moses tradition.

Foundation Studio

Ages 6–11. The entry tier — private study, theory and ear training, drama, and the weekly performance habit.

Foundation →

Pre-College

Ages 12–18. Sixty-minute private study, composition for collegiate-track students, and pre-collegiate planning.

Pre-College →

College Program

The Associates Degree in Music — a two-year, career-focused conservatory degree culminating in a capstone portfolio.

College Program →

Works

From the catalog.

A musical, an album, a children's series, a hymnal — the Institute's published work outlives the season.

KIN, from Annie Moses

Films, concerts, and conversations on KIN.

The Institute's streaming home — original films, recorded concerts, and long-form conversation with the artists and thinkers in our orbit.

Go to Watch

Every film and concert on KIN is kept free by the patrons of the Institute. Become a patron →

The Journal

Letters, essays, and reviews from Middle Tennessee.

A quarterly notebook on music, formation, and cultural life — published by the Institute, written by its faculty and friends.

ESSAY

The Secret of Mary Poppins

When I was five years old, I broke our videotape of Mary Poppins. Not through childhood carelessness, but because I watched it so often that the VCR finally ate the tape. Why did I love the film so? I thought the answer was obvious: great music, comedy, whimsy — all things I loved as a boy. But there’s more to Mary Poppins than meets the eye, and I didn’t realize it until I grew up and saw it again after many years.

Benjamin Wolaver · January 1970

ESSAY

Soothed by a Mysterious Stranger

By mid-morning the clouds had parted and the sun was pushing out, slurping the excess water into a clammy humidity. As a premier attraction, Land Between the Lakes extended to its visitors an opportunity to view a working farm reminiscent of the 1800s, where young men and women, dressed in Ma and Pa Ingalls hand-me-downs, demonstrate Foxfire-style procedures. Bill had taken the kids to see the animals and left me alone with my bad mood. I tromped through the pasture, feeling guilty. You’d better perk up, I berated myself.

Robin Donica Wolaver · January 1970

ESSAY

The Blessing of Music

I’ve been around music all my life, for as long as I can remember. In fact, I don’t think there’s ever been a time when I didn’t have a tune in my head or a piece of music in my hands. Music runs in our family. I was a voice major in college; my husband, Bill, is a composer; our six children have studied in the finest music schools and conservatories. All of us have performed together around the world with our own group, the Annie Moses Band, started when the kids were young.

Robin Donica Wolaver · January 1970

Voices

Faculty and Guild artists.

The working musicians, composers, and teachers who carry the Institute's work alongside the founding family.

Annie Moses

The Annie Moses Band · Since 2003

Founded as the chamber-folk ensemble of the Wolaver family, the Annie Moses Band predates and powers the Institute. Twenty years on the road; a working laboratory for everything we teach.
The Annie Moses BandThe Annie Moses Band

The Institute Letter

A monthly note from Nashville.

On what we are staging, teaching, recording, and reading.

Support the Institute

Join us in our work.

The Conservatory's scholarships, the films and concerts on KIN, and every new work we publish are carried by patrons who believe beauty is worth forming and keeping. A gift of any size opens the whole of it — and keeps this work in the world.