In the studioConservatory
Formation and fluency.
Through the Conservatory, College, and Annie Moses Method, students are formed in performance, theory, and composition from first study to professional mastery.
Visit the ConservatoryThe Institute
A conservatory, performing arts center, and publishing house in Middle Tennessee forming Christian artists for the glory of God and the renewal of culture.
What we do
Teaching, performing, and creating — three institutional bodies carrying forward a single vision for Christian artistry and the long life of culture.
In the studioConservatory
Through the Conservatory, College, and Annie Moses Method, students are formed in performance, theory, and composition from first study to professional mastery.
Visit the Conservatory
On stageStage
The Playhouse, Festival, touring concerts, and original stage works — the season as it unfolds.
See what's on
Benjamin CelloWorks
Original works in print, on screen, and through song — preserving and extending the Institute's work for the long life of culture.
Browse the CatalogOn Stage
Concerts, festivals, and stage productions from the Institute, the Packard Playhouse, and the Annie Moses Band.
The Conservatory
A complete musical formation — from a child's first lessons to a professional portfolio — taught by working artists in the Annie Moses tradition.
Ages 6–11. The entry tier — private study, theory and ear training, drama, and the weekly performance habit.
Foundation →Ages 12–18. Sixty-minute private study, composition for collegiate-track students, and pre-collegiate planning.
Pre-College →The Associates Degree in Music — a two-year, career-focused conservatory degree culminating in a capstone portfolio.
College Program →Works
A musical, an album, a children's series, a hymnal — the Institute's published work outlives the season.

Album
Annie Moses Band

Album
Annie Moses Band

Album
Annie Moses Band
KIN, from Annie Moses
The Institute's streaming home — original films, recorded concerts, and long-form conversation with the artists and thinkers in our orbit.
Every film and concert on KIN is kept free by the patrons of the Institute. Become a patron →
The Journal
A quarterly notebook on music, formation, and cultural life — published by the Institute, written by its faculty and friends.
ESSAY
When I was five years old, I broke our videotape of Mary Poppins. Not through childhood carelessness, but because I watched it so often that the VCR finally ate the tape. Why did I love the film so? I thought the answer was obvious: great music, comedy, whimsy — all things I loved as a boy. But there’s more to Mary Poppins than meets the eye, and I didn’t realize it until I grew up and saw it again after many years.
Benjamin Wolaver · January 1970
ESSAY
By mid-morning the clouds had parted and the sun was pushing out, slurping the excess water into a clammy humidity. As a premier attraction, Land Between the Lakes extended to its visitors an opportunity to view a working farm reminiscent of the 1800s, where young men and women, dressed in Ma and Pa Ingalls hand-me-downs, demonstrate Foxfire-style procedures. Bill had taken the kids to see the animals and left me alone with my bad mood. I tromped through the pasture, feeling guilty. You’d better perk up, I berated myself.
Robin Donica Wolaver · January 1970
ESSAY
I’ve been around music all my life, for as long as I can remember. In fact, I don’t think there’s ever been a time when I didn’t have a tune in my head or a piece of music in my hands. Music runs in our family. I was a voice major in college; my husband, Bill, is a composer; our six children have studied in the finest music schools and conservatories. All of us have performed together around the world with our own group, the Annie Moses Band, started when the kids were young.
Robin Donica Wolaver · January 1970
Voices
The working musicians, composers, and teachers who carry the Institute's work alongside the founding family.
PortraitTHE INSTITUTE
PortraitHEAD OF DANCE
PortraitTHE INSTITUTE
PortraitDANCE INSTRUCTOR & CHOREOGRAPHER
The Annie Moses Band · Since 2003
The Annie Moses BandThe Institute Letter
On what we are staging, teaching, recording, and reading.
Support the Institute
The Conservatory's scholarships, the films and concerts on KIN, and every new work we publish are carried by patrons who believe beauty is worth forming and keeping. A gift of any size opens the whole of it — and keeps this work in the world.